A number of studies were made using the “see through” idea from early paintings, treating the grid as a fragmented lattice. The grid becomes more shaped and three dimensional here rather than a flat, architectural overlay. Large paintings were anticipated but never executed based on these studies.

Untitled (From The Laticework Series)

25 August 1998
Brooklyn, New York
Gouache, Pencil and Watercolor on Paper
H: 14 in. x W: 20 in.

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